-
Notifications
You must be signed in to change notification settings - Fork 0
/
index.html
244 lines (215 loc) · 19.9 KB
/
index.html
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
<!DOCTYPE html>
<html lang="en" xmlns="http://www.w3.org/1999/html">
<head>
<meta charset="UTF-8">
<title>Coding Literacy, Practices & Cultures</title>
<meta name="viewport" content="width=device-width, initial-scale=1.0">
<script src="https://www.openprocessing.org/openprocessing_sketch.js"></script>
<script src="https://cdnjs.cloudflare.com/ajax/libs/p5.js/1.1.9/p5.js"></script>
<script src="https://ajax.googleapis.com/ajax/libs/jquery/3.5.1/jquery.min.js"></script>
<script src="https://maxcdn.bootstrapcdn.com/bootstrap/3.4.0/js/bootstrap.min.js"></script>
<script src="js/mySketch.js"></script>
<script type="text/javascript">
$.fn.isInViewport = function () {
let elementTop = $(this).offset().top;
let elementBottom = elementTop + ( $(this).outerHeight()/3 );
let viewportTop = $(window).scrollTop() ;
let viewportBottom = viewportTop + $(window).height()- ($(this).innerHeight() /2);
return elementBottom > viewportTop && elementTop < viewportBottom;
};
$(window).on("load",function() {
$(window).scroll(function() {
$(".item").each(function() {
if($(this).isInViewport()){
$(this).css('opacity',1);
}else{
$(this).css('opacity',.1);
}
});
});
});
</script>
<link rel="stylesheet" href="https://maxcdn.bootstrapcdn.com/bootstrap/3.4.0/css/bootstrap.min.css">
<link rel="stylesheet" href="css/style.css">
</head>
<body>
<div id="wrapper">
<div class="header">
<div id="sketch-holder">
</div>
<h2 id="page-title">Coding Literacy, Practices & Cultures</h2>
<img class="spacer" src="images/spacer.png">
<h3>A networked series of research colloquiua</h3>
</div>
<div style="clear: both"></div>
<p>We live in a world of algorithmic sorting and decision-making. Mathematical models are curating our social relationships, influencing our elections, and even deciding whether or not we should go to prison. But how much do we really know about code, algorithmic infrastructures and their cultural implications? And what can we learn about creativity in a digital age?</p>
<p>The networked series of research colloquiua on <strong class="name">coding literacy, practices and cultures</strong> with international experts and emerging researchers will give insights to the complexity of coding, digital architectures, and the different cultures code is engaged with in one form or the other. The events will be held with <a href="http://zoom.us">zoom</a>.</p>
<p>You can join by simply clicking on <a href="https://ovgu.zoom.us/j/93906072823?pwd=cXZEeDRxSTZTa3NYaDR4MEsxeXlnZz09">this link</a> or using the following data:</p>
<table>
<tbody>
<tr>
<td style="width: 20%;"><strong>Meeting-ID:</strong></td>
<td><a href="https://ovgu.zoom.us/j/93906072823?pwd=cXZEeDRxSTZTa3NYaDR4MEsxeXlnZz09">939 0607 2823</a></td>
<td align="center" rowspan="2" style="border-bottom: none"> <a href="events.ics" class="btn btn-default"> save to calendar <span class="glyphicon glyphicon-calendar"></span></a></td>
</tr>
<tr>
<td><strong>Passphrase:</strong></td>
<td>coding</td>
</tr>
</tbody>
</table>
<hr />
<div class="item" id="av">
<div class="headline">
<img src="images/image1.png">
<div class="date">19. Nov. 20 - 17-19h CET</div>
<h3 class="main">Annette Vee on Coding Literacy:</h3><h3>How Computer Programming Is Changing Writing</h3>
</div>
<p><span class="name">Annette Vee</span> is Associate Professor of English and Director of the Composition Program, at the University of Pittsburgh, Pennsylvania where she teaches undergraduate and graduate courses in writing, digital composition, materiality, and literacy. Her teaching, research and service all dwell at the intersections between computation and writing. She is the author of <a href="https://mitpress.mit.edu/books/coding-literacy">Coding Literacy</a> (MIT Press, 2017), which demonstrates how the theoretical tools of literacy can help us understand computer programming in its historical, social and conceptual contexts. Her work is read in dozens of university courses in literacy, composition, textual studies, digital humanities, and computer science education.</p>
<div class="more">
<h4>More about Annette Vee</h4>
<ul>
<li>University of Pittsburgh: <a href="https://www.composition.pitt.edu/person/annette-vee">composition.pitt.edu/person/annette-vee</a></li>
<li>Annette Vee on twitter: <a href="https://twitter.com/anetv">twitter.com/anetv</a></li>
</ul>
</div>
</div>
<div class="item" id="sp">
<div class="headline">
<img src="images/image2.png">
<div class="date">03. Dec. 20 - 17-19h CET</div>
<h3 class="main">Stefan Püst on Coding Practices and Music:</h3><h3>Towards a Textual Language Interface for High Level Composition </h3>
</div>
<p>After earning his B.Sc. in Computer Science at the University of Applied Science in Brandenburg, <span class="name">Stefan Püst</span> worked as Android App developer for telematics system at the IBM Client Innovation Center in Magdeburg, next to pursuing a master’s degree in the digital media program at the University of Applied Science in Brandenburg. Since 2016 he has worked as IT admin at the Film University. He was responsible for managing the computer lab infrastructure for the Animation, Set Design and Creative Technologies programs. Since 2019 Stefan is a <a href="https://www.filmuniversitaet.de/en/studies/study-programs/master-programs/creative-technologies/faculty-staff">research associate in the Creative Technologies group</a> and pursues a PhD and researches music interaction mechanisms.</p>
<div class="more">
<h4>More about Stefan Püst</h4>
<ul>
<li>Film University: <a href="https://www.filmuniversitaet.de/portrait/person/stefan-puest">filmuniversitaet.de/portrait/person/stefan-puest</a></li>
</ul>
</div>
</div>
<div class="item" id="pd">
<div class="headline">
<img src="images/image3.png">
<div class="date">07. Jan. 21 - 15-17h CET</div>
<h3 class="main">Pierre Depaz</h3><h3>On the Role of Aesthetics In Understanding Source Code</h3>
</div>
<p><span class="name">Pierre Depaz</span> practically, writes software for arts and media organizations, such as <a href="https://pierredepaz.net/project/000_thelitany.json">museum pieces</a>, <a href="https://pierredepaz.net/project/010_skypeheartbreakshow.json">interactive installations</a>, <a href="https://pierredepaz.net/project/006_recompositions.json">machine learning</a> or <a href="https://pierredepaz.net/project/020_synaesthesiaplayground.json">live performance</a>, amongst others. Conceptually, he wrote versions of <a href="https://github.com/periode/augmenting-gallery">augmenting</a> the gallery, <a href="https://github.com/periode/politics-of-code/">politics</a> of code, software art (<a href="https://github.com/periode/software-art-image">image</a> + <a href="https://github.com/periode/software-art-text">text</a>) , alternate <a href="https://github.com/periode/alternate-realities">realities</a>, <a href="http://commlab.nyuad.im">communications</a> lab at new york university, digital <a href="https://github.com/periode/digital-culture">culture</a> at sciences po and computational <a href="https://github.com/periode/computational-representations/">representations</a> at the Film University. He currently teaches some of these.</p>
<p>Weaving it all together, he’s writing a <a href="http://thesis.enframed.net">doctoral thesis</a> on the role of aesthetics in the understandings of source code.</p>
<div class="more">
<h4>More about Pierre Depaz</h4>
<ul>
<li>His personal website: <a href="https://pierredepaz.net/">pierredepaz.net</a></li>
<li>Pierre Depaz on twitter: <a href="https://twitter.com/kasipierre">twitter.com/kasipierre</a></li>
</ul>
</div>
</div>
<div class="item" id="ep">
<div class="headline">
<img src="images/image1.png">
<div class="date">25. Feb. 21 - 17-19h CET</div>
<h3 class="main">Eleni-Ira Panourgia on Constructing Behaviour from Physical to Digital:</h3><h3>Form, response and playability across sound and sculpture</h3>
</div>
<p><span class="name">Eleni-Ira Panourgia</span> is a Teaching and Research Fellow (ATER) at Gustave Eiffel University (former Paris-Est Marne-la-Vallée). She recently completed a PhD in Art at the University of Edinburgh as a Scholar of the Onassis Foundation. Her research focuses on intersections of sculpture, spatial dimensions and sound. She is working simultaneously on physical material and sound and is interested in developing an understanding of such complex morphologies and their potential within artistic, design and social processes. Her research interests also include material exploration, audio-visual relationships, participatory and interactive design.</p>
<div class="more">
<h4>More about Eleni-Ira Panourgia</h4>
<ul>
<li>Her personal website: <a href="http://www.eleniirapanourgia.com/">eleniirapanourgia.com</a></li>
</ul>
</div>
</div>
<div class="item" id="ja">
<div class="headline">
<img src="images/image5.png">
<div class="date">11. Mar. 21 - 17-19h CET</div>
<h3 class="main">Juliane Ahlborn on the Computation of Arts</h3><h3>Aesthetics - Subject - Education</h3>
</div>
<p><span class="name">Juliane Ahlborn</span> completed her studies of Media Education - Audiovisual Culture and Communication at the Otto-von-Guericke University Magdeburg in March 2020. She works as a research assistant at the Centre for Teacher Training at the Otto-von-Guericke University. Furthermore, she is holding a scholarship of the State of Saxony-Anhalt since July 2020. In her dissertation on <a href="https://www.ebdw.ovgu.de/ebdw/en/aiandart-p-500.html">Aesthetics - Subject - Education: The computation of arts</a>, she is concerned with changed structural conditions for education and subjectivation that owe their existence to digital mediality.</p>
<div class="more">
<h4>More about Juliane Ahlborn</h4>
<ul>
<li>Research Project: <a href="https://www.ebdw.ovgu.de/ebdw/en/aiandart-p-500.html">ebdw.ovgu.de/ebdw/en/aiandart-p-500.html</a></li>
<li>Research Portal of Saxony-Anhalt: <a href="https://forschung-sachsen-anhalt.de/pl/ahlborn-117151">forschung-sachsen-anhalt.de/pl/ahlborn-117151</a></li>
</ul>
</div>
</div>
<div class="item" id="ax">
<div class="headline">
<img src="images/image1.png">
<div class="date">29. Apr. 21 - 17-19h CEST</div>
<h3 class="main">Anna Xambó Sedó on collaborative live coding</h3> <h3>Insights into MIRLCAuto: A virtual agent for music information retrieval in live coding.</h3>
</div>
<p><span class="name">Anna Xambó Sedó</span> is a researcher and musician with background in computer science engineering, digital humanities and digital arts. She is currently a Senior Lecturer in Music and Audio Technology at the Faculty of Computing, Engineering and Media (CEM) at De Montfort University (DMU) and work as the principal investigator (PI) for the EPSRC HDI Network Plus funded project <a href="https://mirlca.dmu.ac.uk">MIRLCAuto: A Virtual Agent for Music Information Retrieval in Live Coding</a> at the <a href="https://www.dmu.ac.uk/research/research-faculties-and-institutes/technology/mtirc/mtirc.aspx">Music, Technology and Innovation - Institute for Sonic Creativity (MTI^2)</a> in Leicester, UK. She is also the programme leader of the <a href="https://www.dmu.ac.uk/study/courses/undergraduate-courses/digital-music-technology-bsc-degree/digital-music-technology-bsc-degree.aspx">BSc Digital Music Technology</a> programme. Since 2019, she
is an Associate Fellow at the Higher Education Academy.</p>
<p>In 2015, <span class="name">Anna Xambó Sedó</span> completed her PhD in computer-supported collaboration on interactive tabletops for music performance at The Open University (Milton Keynes, UK). Her thesis is entitled <a href="http://annaxambo.me/pub/Xambo_2015_thesis.screen.pdf">Tabletop Tangible Interfaces for Music Performance: Design and Evaluation</a>.</p>
<div class="more">
<h4>More about Anna Xambó</h4>
<ul>
<li>Her personal website: <a href="http://annaxambo.me/">annaxambo.me</a></li>
<li>Anna Xambó Sedó on twitter: <a href="https://twitter.com/annaxambo">twitter.com/annaxambo</a></li>
</ul>
</div>
</div>
<div class="item" id="nps">
<div class="headline">
<img src="images/image3.png">
<div class="date">13. May 21 - 17-19h CEST</div>
<h3 class="main">Nick Seaver on Refiguring the Black Box:</h3> <h3> The Ethnography of Algorithmic Systems</h3>
</div>
<p><span class="name">Nick Seaver</span> is an assistant professor in the <a href="http://ase.tufts.edu/anthropology/">Department of Anthropology</a> at Tufts University, where he also teaches in the <a href="http://as.tufts.edu/sts/">Science, Technology, and Society</a> program. Before that, he got his undergraduate degree in <a href="http://complit.yale.edu/literature-major">Literature</a> at Yale University, a Masters of Science in <a href="http://cmsw.mit.edu/">Comparative Media Studies</a> from MIT, and his PhD in <a href="http://www.anthropology.uci.edu/">Anthropology</a> from UC Irvine.</p>
<p>He is writing a book about the makers of music recommender systems and how they think, about music, listeners, and listening. <em>Computing Taste: The Making of Algorithmic Music Recommendation</em> draws on years of ethnographic fieldwork with researchers, engineers, and others in industry and academia.
<span class="name">Nick Seaver</span> also wrote the significant contributions on <a href="https://journals.sagepub.com/doi/abs/10.1177/2053951717738104" target="_blank">the ethnography of algorithmic systems</a> and <a href="http://dspace.mit.edu/handle/1721.1/59573" target="_blank">the history of player pianos</a>.</p>
<div class="more">
<h4>More about Nick Seaver</h4>
<ul>
<li>Tufts University: <a href="https://ase.tufts.edu/anthropology/people/seaver.htm">ase.tufts.edu/anthropology/people/seaver.htm</a></li>
<li>His personal website: <a href="http://nickseaver.net//">nickseaver.net</a></li>
<li>Nick Seaver on twitter: <a href="https://twitter.com/npseaver">twitter.com/npseaver</a></li>
</ul>
</div>
</div>
<div class="item" id="wsgx">
<div class="headline">
<img src="images/image1.png">
<div class="date">17. June 21 - 17-19h CEST</div>
<h3 class="main">Winnie Soon and Geoff Cox on Aesthetic Programming</h3> <h3>A Handbook of Software Studies</h3>
</div>
<p>
At this closing event, <span class="name">Winnie Soon</span> and <span class="name">Geoff Cox</span> will talk about their recently published book project: <a href="http://aesthetic-programming.net/">Aesthetic Programming: A Handbook for Software
Studies</a>. The project explores the technical as well as cultural imaginaries of programming from its insides. It follows the principle that the growing importance of software requires a new kind of cultural thinking — and curriculum — that
can account for, and with which to better understand the politics and aesthetics of algorithmic procedures, data processing and abstraction.
</p>
<p>
Born and raised in Hong Kong, <span class="name">Winnie Soon</span> (she/they) has a background in Information Systems and Computing (<a href="https://www.cityu.edu.hk/">City University of Hong Kong</a>), Media Cultures (School of Creative Media,
City University of Hong Kong), Digital Art and Technology (<a href="https://www.plymouth.ac.uk/">University of Plymouth</a>), and has a PhD in Software (Art) Practice (Aarhus University). Her research and practice focus on software publishing,
critical technical-art practice, and aesthetic programming. Researching in the areas of software studies and computational practices, she/they is currently based in Denmark and working as Associate Professor at Aarhus University.
</p>
<p><span class="name">Geoff Cox</span> is Associate Professor/co-Director of the <a href="http://www.centreforthestudyof.net/">Centre for the Study of the Networked Image</a>, London South Bank University (UK) and Associate Professor in the Dept. of
Aesthetics and Communication (DK), currently engaged on a 3 year research project <a href="http://contemporaneity.au.dk">The Contemporary Condition</a> funded by the Danish Council for Independent Research (with Jacob Lund). As part of this, he
published (with Jacob Lund) <a href="https://www.sternberg-press.com/product/the-contemporary-condition-introductory-thoughts-on-contemporaneity-and-contemporary-art/"><em>The Contemporary Condition: Introductory Thoughts on Contemporaneity and
Contemporary Art</em></a>, as the first in a <a href="https://www.sternberg-press.com/series/the-contemporary-condition-series/">series</a> of small co-edited books published by Sternberg Press. With Alex McLean, he wrote <a href="http://www.speaking-code.net/"><em>Speaking Code: coding as aesthetic and political expression</em></a> (MIT Press 2013), and amongst other things is currently
working on a book project about live coding.
</p>
<div class="more">
<h4>More about Winnie Soon and Geoff Cox</h4>
<ul>
<li>Winnie Soon at Aarhus University <a href="https://pure.au.dk/portal/en/persons/winnie-soon(061827be-c4d8-4af0-a301-835512c973e2).html">pure.au.dk/portal/en/persons/winnie-soon</a>
<li>Personal website of Winnie Soon: <a href="https://siusoon.net/">siusoon.net/</a></li>
<li>Geoff Cox at Aarhus University: <a href="https://pure.au.dk/portal/en/persons/geoff-cox(12ea26ce-0032-475a-b951-74c8ba44d239).html">pure.au.dk/portal/en/persons/geoff-cox</a></li>
<li>Website of Aesthetic Programming: A Handbook of Software Studies: <a href="http://aesthetic-programming.net/">aesthetic-programming.net</a>
<li>GitLab Repository of Aesthetic Programming: <a href="https://gitlab.com/aesthetic-programming/book">gitlab.com/aesthetic-programming/book</a></li>
</ul>
</div>
</div>
<hr />
<div id="footer">
<h4>About the event series</h4>
<p>The networked series of research colloquia is organized by <a href="https://www.ebdw.ovgu.de/ebdw/en/Team/Dan+Verst%C3%A4ndig-p-232.html">Dan Verständig</a> (University of Magdeburg / Germany) and <a href="https://www.filmuniversitaet.de/portrait/person/angela-brennecke/">Angela Brennecke</a> (Film University KONRAD WOLF in Potsdam Babelsberg / Germany). </p>
<p>Processing Sketch based on: <a href="http://www.openprocessing.org/sketch/1014150">Vera Molnár Interruption</a> by <a href="https://www.openprocessing.org/user/105400">Rita Eperjesi</a>. Licensed under <a href="https://creativecommons.org/licenses/by-sa/3.0">Creative Commons Attribution ShareAlike</a></p>
<span>
<a href="https://www.ebdw.ovgu.de/ebdw/en/"><img style="margin-bottom:-4px;" src="images/ovgulogo.png"></a> <a href="https://www.filmuniversitaet.de/"><img src="images/filmuniversitaet.png"></a>
</span>
</div>
</div>
</body>
</html>